Peter Shawn Taylor with a lengthy piece in the National Post on copyright.
National Post Op-Ed On Copyright
June 6, 2008
Tags: copyright / National Post / peter shawn taylorCopyright Microsite - Mainstream Media CoverageCopyright Canada
Share this post
2 Comments

Law Bytes
Episode 231: Sara Bannerman on How Canadian Political Parties Maximize Voter Data Collection and Minimize Privacy Safeguards
byMichael Geist

March 31, 2025
Michael Geist
March 24, 2025
Michael Geist
March 10, 2025
Michael Geist
Search Results placeholder
Recent Posts
The Law Bytes Podcast, Episode 231: Sara Bannerman on How Canadian Political Parties Maximize Voter Data Collection and Minimize Privacy Safeguards
The Law Bytes Podcast, Episode 230: Aengus Bridgman on the 2025 Federal Election, Social Media Platforms, and Misinformation
The Law Bytes Podcast, Episode 229: My Digital Access Day Keynote – Assessing the Canadian Digital Policy Record
Queen’s University Trustees Reject Divestment Efforts Emphasizing the Importance of Institutional Neutrality
The Law Bytes Podcast, Episode 228: Kumanan Wilson on Why Canadian Health Data Requires Stronger Privacy Protection in the Trump Era
Bad Article
It’s a bad article. Interesting from the historical perspective, but bad in that it characterizes you, Michael, as a copyright “free for all” whacko. We know that this is not the case. I’d love to see you write a strongly worded response to that article, which does not mention the issues of DRM at all.
Good Comments
Truly one of the best comments posted on that link:
The historical examples of artists losing profit via unlicensed copying is subtly different from the current state of affairs. These are examples of distributors in other jurisdictions profiting from the work of an artist w/o their permission. In each of the examples, the jurisdiction is attempting to bolster a newly minted industry at the expense of an established industry.
The current digital copyright issue is a case of existing (licensed) distributors worried losing their profit margin. There’s no proof that downloading has actually damaged this profit margin. In fact, changes in distribution (i.e. Walmart’s cheaper prices) may be the primary source of losses in the music industry.
In any case, those who download a work w/o license do not map directly into these historical examples. First, they typically use the unlicensed work for personal use rather than selling it (as a distributor might). Second, there’s no indication that they would have actually purchased the work had they not gained access to an unlicensed copy.